Leandro Gardini
- 25 de mar. de 2017
Composing and Orchestrating Through Relative Range
Even though John Williams is mostly known for his big epic orchestral writings, he has also proven to be a fine writer of choral music. In several of his scores he uses vowels and vocal effects to support the orchestra. These have become common usage for film music composers of many generations. However, John has also been using the choir as the main element of his music in many situations and he sometimes uses the relative range technique to create a more dramatic and lyrica
3.428 visualizações
Leandro Gardini
- 25 de fev. de 2017
Vision and Purpose
The six first articles of The John Williams Compositional Techniques have been a great success. We wish to thank everyone that got involved with them, hoping that they added value to your knowledge. From now on we are moving to the next step of the project which means that the articles will continue to come, but less frequently. Working on such as project requires a lot of responsibility and preparation and, since we are talking about a great composer, we are committed to del
1.009 visualizações
Leandro Gardini
- 18 de fev. de 2017
Williams - The Virtuoso Composer
Becoming a virtuoso composer requires the same amount of practice as becoming a virtuoso instrument player. Composing such music seems to be second nature for John. He has been composing virtuoso music for many movies with such a fluency which is mind-boggling. In the Hook - The Arrival of Tink and the Flight to Neverland there are many interesting textures to be studied. Today we are going to study a short passage written in tempo presto that is particularly good for underst
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